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My work connects personal anecdote, occult ritual/symbology, and references to popular culture, sub-cultures and art history. These preoccupations are dismantled through shambolic mimicry and translated into a functional lexicon of immersive, multi-sensory installations. I am interested in liminal spaces around and between parameters ascribed to media, and improvisational potentialities within the interplay of objects, display, documentation and installation. These non-conclusive experiments, with the potential to disappear culture through multi-sensorial disorientation, circumnavigate investigations into the visceral subjectivities of performance, resulting in instant archives of theatrical forensics.












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